Christine Potter
Summer 2024 | Poetry
Please Explain
I used to think being a grown woman was like Bugs
Bunny done up in drag—complete with the instant
wolf whistle. I used to think there was an evening
gown waiting for me somewhere. I used to feel sorry
for men and their boring black shoes that all looked
the same. We got diamonds but they only got cigars
which they had to give to other men if their wives had
babies. My father had just one, cellophane-wrapped,
printed with It’s a Boy! in fancy blue script. It was on
his dresser for months. By the time I was old enough
for diamonds, I didn’t want them. How would I know
electric guitars were going to have anything to do with
my life? I’d wouldn’t have guessed I was meant to be
authentic, that I would never need a perfectly round
brass compact with a mirror inside it and a matching
tube of lipstick. Except sometimes I still want to wrap
myself up like a gift in a gigantic box and explode out
of it, arms thrown wide, singing a show tune I never
even heard (but my husband says is totally American
Songbook). How did those things catch me anyway:
the sequin-spangled dress, the ocean liner, the dark
water with its silver ladder rippling up to the moon?
Christine Potter lives in a very old house in New York’s Hudson River Valley. Her poetry has appeared in Rattle, Midwest Quarterly, Consequence, The McNeese Review, Big Wing, SWWIM, Autumn Sky Poetry Daily, Thimble, and was featured on ABC Radio News. She has a poem forthcoming in Tar River Poetry. Her time-traveling young adult novels, The Bean Books, are published by Evernight Teen.