David Trinidad
Summer 2024 | Poetry
Four Poems
My Appearances in Other People’s Dreams
I was telling Shanna Compton
about seeing a couple bowling naked
and we laughed and laughed.
*
I called Elaine Equi “Mrs. Howl.”
*
Alyssa ran across a room to give
me a hug. My torso and head were
encapsulated in glass filled with
water and light pink blooms (not
roses) so she just hugged the glass.
“It seemed perfect in a lot of ways.”
*
Nicole Wilson was walking down
the street and we crossed paths.
“I was so happy to see you!”
*
Michael Robins: “You missed
a train in my dream last night.
You, me, and someone else (no
idea of their identity) were in
Europe, I think. We could see
you shrinking in the distance
of the platform, and we some-
how knew it unlikely you’d
catch the next train.”
*
Lynn Crosbie: “I dreamed you
had an eccentric, sexy boyfriend.
He was a visual artist. I never
have dreams so take heed!”
*
Camille Guthrie was picking out
a present for me: “I found a pink
bag (sort of a fanny pack, but not)
with a teen Olivia Newton-John
on it, but I worried: Does David
even like Olivia Newton-John?”
*
Elaine: “I forgot to tell you I had
a dream where you drove us across
the ocean (Pacific?) and we were
chatting and ignoring holograms
of sea monsters and burning ships.
It was like a Disney Odyssey.”
Poem
Last night in workshop, Ankita mentioned
the fiction writer Mary Gaitskill in her charming
anti-response to my write-about-an-object (à la
Borges’ “The Dagger”) prompt, and I ended up
telling her and the class (smaller and more intimate
than usual, as four students were absent) an anecdote
about how, in the early nineties, I went to one of
Brett Easton Ellis’ legendary New Year’s Eve parties
with my partner Ira, and Mary and her boy toy,
a recent Columbia graduate who was tall and cute
(but obnoxious—he wouldn’t stop yammering)
and who would soon become the fiction editor of
Open City magazine. “It wasn’t as glamorous
as you may think,” I said. “Ellis’ loft was so packed
you could barely move. Ira, Mary, and Boy Toy
dove right in, were swallowed by the crowd, while I
stayed outside in the hall and had an anxiety attack.
As much as I’ve written about my years in New York,
I’ve never put that in a poem.” “Oh but you must,”
said Ankita, who after class asked charmingly,
with starstruck breathlessness, if I’d ever known
Kathy Acker. “Yes,” I told her, “I have a poem
about her.” But back to this one, which is about
(I think) the night I came face to face with, but didn’t
enter, the mouth of the dragon. I remember that when
Ira and Mary—boy toy in tow, yammering away—
finally emerged from that frightening mob and
the four of us crammed into the back of a cab, it was
just beginning to snow. Snow on New Year’s Day—
that’s the magic of New York. Disappointing as
my years there were, stuck on an island full of
ruthless egotists (not Mary, she was an odd woman
but always nice to me, but there was one guy, who
wrote for Artforum, at a party on a rooftop in Chelsea,
who was particularly insufferable, but that’s another
poem, perhaps, and I’m trying to cram this one onto
one page, and see that I’m about to fail), I can still
get a breathless “I do this, I do that” poem out of it.
All we need is for Frank O’Hara to swish by trailing
a cloud of cigarette smoke, his lunch hour almost over,
Pierre Reverdy in his pocket. I’m gay, so I can say swish.
April 6, 2023
Hotel Simic
At the edge of a village
Bloodied by the setting sun,
A dive with dim lights
And middle-aged waitress.
The kisses she blows to us
Are as cold as prison walls.
Here then are the small
Beads of rain rapping
Against the windowpane
The day your grandmother
Died. To pass the time, I
Played a teentsy fiddle
Using one of my love’s long
Black eyelashes as a bow.
My future is my past,
The scratchy record sang.
Till the clock coughed up
Its first drop of blood.
A hundred horror films
Are crammed in my head.
The undeveloped film
Of the few clear moments
Of our blurred lives. The
Fleeting moments know
No care, as they go around
Collecting memories that
Do not belong to them.
That’s what the leaves are
All upset about tonight.
Pink Filmography
for Elaine Equi
The Pink Panther
Strike Me Pink
Pink Flamingos
Pretty in Pink
Ride the Pink Horse
The Return of the Pink Panther
The Pink Jungle
Pinky
The Fuzzy Pink Nightgown
Pink Floyd: Live at Pompeii
Heller in Pink Tights
The Pink Panther Strikes Again
David Trinidad’s numerous books include Sleeping with Bashō, Digging to Wonderland: Memory Pieces, Notes on a Past Life, Peyton Place: A Haiku Soap Opera, and The Late Show. He is also the editor of A Fast Life: The Collected Poems of Tim Dlugos, Punk Rock Is Cool for the End of the World: Poems and Notebooks of Ed Smith, and Divining Poets: Dickinson, an Emily Dickinson tarot deck. Trinidad currently lives in Chicago, where he is a professor of English and Creative Writing at Columbia College.